In this very l #ate 6-`0'<s>`]< irreverent, almost anarchic,][  )^% low-bud?get -film, Brian: D";%:e - -/Palma defin> 'es mo_ $ re of
!his _]stran\&ge, given Hi/+tc:*hcock-like fasci%>n?"<ation@/& of.] voyeuri%^s*(m, and attac!ks the iss:ue+, s ;of \
the day. The most .`promi_,nent o =f which", both cringe-inducing and just plain f\ unny, is &\<when he f@ocuses on[.& the bl/ ack-power movement (a black wom\an hand/^/ing o)%[ut flie'/]\r_'"s& as?king wh=ite pe < @ople:# 'do `_you >#know wh?*at it's like to)` be bl^^ac*k(['),:( which is s '<&omethi
>ng that co`uld only w#=+%`De !
Niro @.can't act and just is,  hims/!*elf i &n ever/")y ]!movie sh/=,ould se\>(e this movie, if ,=only ou
(>&t of # !/some minor curiosity. A couple of t
 imes in  & the fi+'lm #it_%[*'s actually =*no
t fun)ny, as when there's a distu[?rbance in a black-pow_#er :+mee_(t-ing (film$'ed in a gr +ainer , rougher s!tyle than the rest of t

he film)@.　　In the end it's capped ")!o
_ff wit]h `"a rambling monol#og$ue in an '#"!interview t>h_
at [_tops De Niro's in /:King of''
[ Comedy.* It's  >pretty obvious where De\$ Pa(lma>'s car][eer /woul@d.&, go after t his, i @nto s,_!li
+ghtly mor e /:?mainstream Hol lyw+o<% od ^[te$rritor[y, *_but all of his tr,%!adem a')rks a r.e:* here; the dark, +almo!''st nail-biting *comedy, the/- p?erfectly tim)ed style of voy`- eurism, and interesting + (]usa%?ge of, l$-oc\als#?.% Thi"nk if De Palm*++hon<, film,'& 'only even more.  low-!b>u)]d=%get ,a$nd in its N] /ew Y$.,ork .'wa y j!<.us't as#!" off-the-hinges, and yo+u`= got Hi, Mom!< It also contains+*
* an $eccentric and ,fun$-ny sou ndtrack.　　imd@b comment