The !sum";mer before ,*colle];>g=e], bright-ye$
t-irreverent Elliott comes face-to-face with her older $([self during `a mushro"om tri__p\" . The enco!=
$unter [!spu;`rs # a funny and;?] h!&!ea@>rtfelt jou&")rne%@y :!of self-dis;,cove:ry an-%d fir%
st love %+as Elliott prep\"are s to leave her' child:,)ho\>od^ home.　 <(　Writ %e$+r-directo%#+@r Meg_an/ Pa;_rk’s[_> ten& \der-+, surpri%`;sing s: &ophom@o!?,^*re feature cleverly uses i,@!
t/s high-c(-o:ncept <@:premi<\se o[%f a /)!@+visit fro&m one’s future self to launch a re=f?`reshin`g#?, nu[anced explo/
@ratio# n ?(*^of the uncertain?ties !o :[f young romance=> and coming of age. My Ol$"%*d "Ass is a s^weet ]^;@teenage" l (ove stor!y,&

 =a l@*,ively contemporary comedy, and@ a quirky r:>iff on$( tim&:`e- -tr^#].ave l films [+?a@ll in one.　　!-Maisy S?$:st[@ry,[`*` as t;-he & /sass and self-assure _dnes[^]s of the young Elliott, as played - b&#y Stella, t. The ca
'=re an+
d affec%."/ti@on /;,shown/ &-in the film’s depiction of Ell],;%iott’s rural >("home()town  [#in he\r last da
=.ys bef@ore(? takin[\@g off for@+ adultho]( od visually h&ighlights her ^emotional jou, rney ?,]_ evoki[`;ng a #nostalgia for days th*?at haven’t even e%:nd
ed ye%.t.$*—HZ