This film marks the di?rect%=]"orial-  debut of R>^+obert Benay/o[un.?: An ar_:tist (Richard Leduc) atte+nding a party smok<*es #":som! e dope a(nd-<:
 devel @*@ops the ability to see int,o the f utur^>.#e ;`"`and the pas:t. :+=He retu'==rns to hi)/ s
& apartme"nt w,]he-*\_r*['?:e he se-^e!/s the vis
!ion of a woman who had liv-;?,ed there 30`- years ago. A ,)?fri##
/end trie+-,s to *co'+nvince hi[!m .<'it is his hei]ghtened sensitively as 
@an art])i`st th :)at a)ll?>@(ows]"? for.[![ #^the newfo:und abili%^]
ties, bu;!# t he soon$)\ `$^h$as psych/'ed"elic hall /uc,%in ation/^s a&nd^[ ^->his abilities/% inc,

r;%ease with time. -+Sto<
p-m,-otio@n  photography is ef!(,fe"ctively us+`ed in/< his s']eq_:uence of visual ex]:!periences where th=),]e +[$$peo"@pl(e . :exist &but =/not the c._ity in this metaphys?#ical <story.