Post-nuclear-war dra*
?:ma,*!s centering on a small grou[p of surviv[$[&or/&s*< now c*'onstitute ,&:an entire ge;,nre in science-^_fictio^+n fi?lms_=`:]. A\,
"ll of them, in some *&`wa&)y or another, can be traced back to this seminal\" /film /; -from 1951 in which five p :^e(!*o?@p% le d$eal/ ;with the possibil,.ity they ar_e .*the only human b )`)eings left al:i!ve o/#_n$ t-/'he;?; planet.　　Wh% +ile :
,[&mos'\t of  the later:`=="] mo@`vies exploited this poss, ,;contemplative ton?>%e"`.; which '=&som&e m/ >ay`! find dull (but which though>tful >\&'vi#ewers  are more l<&ikely to find, f,$or wa

nt of +'a !>bet>!.#ter w/ $ord, haunt#\ i`$;ng.- The#`re is.\"&] so)me(@thing about]) this] movie whic?%
h g"e@!<-ts under the skin and (.,which"lurks#`\ in;% ;t;,he cor*"n]ers>@[ of? the mind long afte]r _*$!it's over.