As its title '$)suggests;"$: *[+THE FABUL@[>-O/US WORLD OF JULE&`S V+'ERNE is an awe -inspiring", meticulous cine>#?matic ren! der<.ing of the aestheti[>=c and c#&:onc!`eptual in; ventions &% of proto-sci%ence fictio?n ge/)>,nius Jules Verne@, ! based o`n one of@> the famed author's lesser k
nown short stories. <However, the real s"(tar of t_he film is the.;@# intricate art direction, su\]ccessfully +rendering; ` ,the ]""v;\isua/l style of nineteent^+$h centur"y( woodc^^%uts an*d engravi*&ngs into !mo,,tion pictures, creating a styl
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z?ed @`;and+>- surre(:al graphic world within \&$which Verne’s fan @(/ci>=ful$@ tale u!$%/n,<#folds. A %
,% a p:*owerful e:-xplosive, whe <n  ?h#+e+# ] and/ >+his a!ss\*+'$istant are+` [kidn!#apped by an e !vil busines-/[#s?man, /_Artigas^?. T",aken by subm .a"rine>* t')o Art`igas' vol)&cano head] $quarters, Roche is trick#[ed into & developin g h\is -experi!@>ment for evi+l intentions. The s )cientist’s as:>sist@^`an&(>t, Simo)@n, str**u<^, ggles <@all the:<\ @`-while to free himself and warn Roche. A %#magical wor@ +ld o$[]f baroque submar&<ines!*^ and s/]a/
#il;ing s$hips, k?iller-$ o;)ctopus, un>-d:%ersea bicycles dazzles a(udien >ce(@'s _as h:,;uman acto$rs, +puppetry, animat/ ion and fa. that is ' unique by& any st andard-/s. Mixing slapstick
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" c_"',o[??-m@.edy, actio%'n adventure  pacing and Mél:^ies :>`style fil ^m m%#[>a?.g_ic,#! t &* his#( little, kno;
*wn Cze@#_<%choslova"/'k)*]i& an- gem ?t^:#ra?[*n\ scends  th"e( juven'#ile [#lite<) (r