Wun,,$der d:er Sch)#;]öp&f.u [ng is a)&>n (+>*extraordinar ]y, fascin%(ating K(ul.turfilm t)%r ying to ex:plain the whole h*u</*man knowl)edg@%e of the 1())920`(<s ;`?about/ the (+ <w(]orld and the universe . 1>=?5 & ,_special ?'' effects e]xperts and 9 camer])a& men were i- nvolve[/
`d in =#-_the production of this=" film which combines doc;% umenta' ry s@^c%^ene?+s, histor@ical docu\%ments, fiction
@ elements, animation scen.es an&@
d \education,:,al impact. I%.-t its be+autifully
;colored, u ')sing tinting`); and to%
!ning ,!in a very elaborat^ed *][way. Some visua?. l idea^s in th*+e se:quen`ces with) a ^;?+sp*ace shuttl`e v-/%isiti)ng d@-ifferen?_t plane]+(ts in :.ul%?>\turfil`">^m p:=__henomenon, ,&Wunde?r d,( er Schöpfung$@ was a*mong the greatest a,chieve=\
ments of the 1920s!?. The ^.@p r%/'oduction was constructed, rehearsed, and shot '-&ov?[,er a peri+od of t wo and a half ,years, `$un,\>der t(!>he supervi$sio
n of H/?_anns Walter Korn (blu'm . Th[e idea to describe ![ @t+&he u-niverse a_?:nd ma( n's place in i-=%t well= s ?;uited@) UFA's Grossfilm mentality, one \&_'(yea`r before the Metropolis catastrophe. Hu)ndreds o]!\,f s*]<"kill_/%e`\]d  c
ra:ftsmen _' participated in,; the pro%]/ject, buildi%';n;g pro'=ps a\nd &< )constructing scale model)s drawn b`[y 15 special.; eff`!%ect](s@+ drau]+;ght+_;"smen, while 9 ;:*cameramen<->- in[` s\@eparate @:uni;`ts w>>'+orked on>^+ the histo&?rical, d, ocumentary, # fiction, animation, and scie'$nce-fiction seq(uences. W[%otagonis@>ts, the film`'s p _\lot is^ c)>.r^owded with meticulously s;?"tr:=@uctured@?
)&and -( @skillfully act<:/ed sin' ]gle s.c)enes)'_ an a;@rtfu`l  mosai]c of sm^all vign*=et<\\(tes. No le#/(ss than]= four :$+credited_?' +universit y(^ _#,pro^fes! s?/(#_ors ensured the factual ba[@>ckgro(und beh*in_d t @.he scientifi ?c and historical!! eve`@^n<t.s portraye.d.　　The fi%&lm's)!% symbol( of pro%gr!=( e?ss and the new sc&ient[,if%*%$ic[_ era is)@ a spacecraft, trav!
elling t  hroug^ +h th*]e Milky Wa!+y<)>., m>ak$`in(_)"g a .=ll the p(&lanets ^? and _,>their inspiring worlds ;+fam[>ili(`a\;%r t`$"o us, with "the extravaganza o" &f their d-;';istinct_^ive features. T$`he film's , e_^[ducation+al intentions, ho[^!we;],ver, bec/ ;^ome stead `i(l_$(#y m-`ore ob,;;>scure, ?humorous($,@ ?or even [:campy" as t@>his popu?&lariza/tio_/==n p`[r.;.oject pro $'ceeds^. With the @ 'exc:u+ se of) ,p% resentin^g t\\h_]`e end of -% th.>e> world a not-so-new c!$ oncept !^,as a new,[+^? u/#nde [$niably scien;*tific tru>^th, the film  veers happi
[ly* along a new$-\ path, displayi(ng d.=&etailed ap_`_o\!calyptic scenes o.%f the end?%( of, ] mankind. For today#)'s aud"ie^>^:nces, th%\i!":^s$#= ama*@'zing fi( .lm de/(monstrates h<&?
,ow the '(univers=[)e was__ c\! om( prehe.$nded in [^ !the ]`+ 192=0s], and how th[at ?v
[iew was sold
[) to".? cont$)@empor:ary audiences.