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Reassig n/ed fro;(m *,TV to radio, a frustra<"ted an:$chor sees both d^&an-?ge-r and opportunity when\= he re![,ceives /threateni>;ng call-,`s on >&the air.by___PROTECTED_URL_0___ El!"/ect.ronic Me*^(d,ia E+\xpo-,sed Anwar Says )($! An A[-nchor!^ i+.<$s an actor $, Actor ne* eds a &=u@:dience #and audience need drama, these ^ th<[(ree '; lines /)@"expose th'@e ele, +ctronic, me.d)(ia today i+@n R!@,am Ma"dhvani's re_:&/lease. to d'ay DHAMAKA at N^\$etf=lix. A$!% remake of 2013 Kore)]an Film ' ',!The Te rror Li*ve 'and s)hot :in#"-] only'!< 10(/ d*ays and th!%e*, cr)-ed^it ^/goes t<-@o Neerja <$=^an]$d Aarya d/@i?+rector *and the; Sup"ersta/#]^-r in making >&Kartik A($`aryan. " M adhvani=// ).idea(\ of fi !lm"=`ing is at loggerheads w "-ith?]# th/(e a/rea , the film is tra\ versing!&, he is mor"=e into ex%pl@!os [ion , pro-;%ba= $bly sin?ce the@! t(*itl=%e )(is Dhamak a ./ I liked the way A: [.a:-@ry =an` `Khan'[s #`initial".life has been shown in"+t=):he *ope^<.ning song . _No other cast has been giv)en much\ )`e-xposure and passi( ]ng on the /[_ buck #%i ^s $ the way of corporate life h&as been perf*ectly narrated . )!'At points the movie se=*ems g+oin`@g \/slow bu&>t suddenly\* picks u$%p . Madhva-[ ni ha#\-s b+-`een able to + d+?rumming up>th)&